![]() ![]() ) but Chilly Gonzales no longer seeks to please. Solo Piano III arises at a more problematic point of inflection.Ĭollaborations continue (Room 29 with Jarvis Cocker, Ibeyi, Toddla T. This second album has certainly satisfied a growing audience and ever more eager for Gonzo's imperfectly perfect miniatures. Become a legendary showman and collaborator of renowned and esteemed artists (Drake, Daft Punk, Feist) Chilly Gonzales unveiled a collection of catchy and refined pieces, aimed to please, showing that he was ready for prime time. Solo Piano II (2012) has emerged as a small pop masterpiece for a connected world, a transition to a new reality. This incidentally virtuoso album surprised everyone, including the self-proclaimed musical genius. Solo Piano (2004) came out in a more innocent era, where Chilly Gonzales was pioneering the evocation of declining classical and jazz genres, pushing them to the top in the 21st century. And like its predecessors, the album ends with a happy end in C major but the path is punctuated by more dissonances, tension and ambiguity. ![]() Like any final act, there are complications and consequences that follow the urgency of crossing the finish line. Solo Piano III completes the trilogy of Solo Piano albums. ![]()
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